Die wolke the cloud torrent

The preferred versions suggested by an audio engineer at George Blood, L. The recording on the other side of this disc: Not completed due to physical condition of disc. Uploaded by jakej on July 10, Internet Archive's 25th Anniversary Logo. Search icon An illustration of a magnifying glass. User icon An illustration of a person's head and chest.

Sign up Log in. Web icon An illustration of a computer application window Wayback Machine Texts icon An illustration of an open book. Please see your browser settings for this feature. EMBED for wordpress. Want more? Advanced embedding details, examples, and help! Pikant ist auch, dass Wolke 9 ganz ohne Drehbuch entstand, sondern vielmehr auf lebensechte Improvisationen gesetzt wurde. There are no reviews yet. Be the first one to write a review. Storyline Edit. Did you know Edit.

Trivia Based on a bestselling novel by Gudrun Pausewang. Goofs All the bald cancer patients have eyebrows. Hair loss from chemotherapy affects all body hair. User reviews 11 Review. Top review. American cinema. It's strange how trends tend to migrate regardless of their nature - good or bad. And it's definitely not only the case in modern cinema, but also in day to day life.

One might actually notice that some trends are more 'adaptable' than others and it just so happens that it's the lesser trends which have this characteristic. Yet, talking about trends is like talking about the act of imitation, because that's all there is to do in order to 'adopt' a certain shift in secular thinking. Unfortunately, though, while the act itself - the act of imitating, that is - was once considered the premise for facilitating swifter advancements in a nation's cultural endeavours, the underlying concept seems to have been That is, the concept of adapting, which implies creating shapes that can serve as a basis for foreign 'imports'.

I am so sorry for digressing in such a disgusting manner, but I believe it serves an obvious purpose. It's truly a shame that a culture as vast as the German one is ignored in producing a movie which is so "hollywoodian" it simply implodes.

Too much of anything just can't survive. A bit atypical, in the sense that the problem isn't of a common nature, such as family or society, but of a more horrendous one: a nuclear meltdown. Regretfully, this is exactly what happens and the movie slowly turns into a love story that sometimes simply goes beyond the pathetic in the Oxfordian sense of "causing one to feel pity or sadness". As the "Wolke" catches up with the main protagonist, a girl named Hannah, she is severely affected by the radiation.

Elmar, her boyfriend, defies his father's who just happens to be as rich as they come and in a gesture of absolute altruism and complete devotion starts to search for his Hannah. I guess a more pragmatical viewer can imagine what outcome the relationship between a healthy person and a one recently 'radiated' might have. I hate being overly sarcastic, but sometimes this is all we humble mortals are left with, in the face of a work that tries to be of such an astounding magnitude and, actually, is nowhere near it.